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Thus at odd moments time can treble itself; but with the blessed daylight come comfort and renewed hope, and Geoffrey, greeting with rapture the happy morn, that,,

Indeed, no sound disturbs the sacred silence save the crisp rustle of the dead leaves, as they are trodden into the ground.,

He actually laughs, though faintly, and Mona looks up. Perhaps he has forced himself to this vague touch of merriment (that is even sadder than tears) just to please and rouse her from her despondency,—because the laugh dies almost as it is born, and an additional pallor covers his lips in its stead.,

"So ye are, bless ye both!" says old Betty, much delighted, and forthwith, going to her dresser, takes down two plates, and two knives and forks, of pattern unknown and of the purest pot-metal, after which she once more returns to the revered potatoes.

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"Well, then, sure you know I would," confesses she, shyly but honestly. Whereupon rapture ensues that lasts for a full minute.,

"Mona," says Geoffrey, to her suddenly, in a low whisper, throwing his arm round her (they are driving home, alone in the small night-brougham)—"Mona, do you know what you have done to-night? The whole room went mad about you. They would talk of no one else. Do not let them turn your head.",

It is an hour later. Afternoon draws towards evening, yet one scarcely feels the change. It is sultry, drowsy, warm, and full of a "slow luxurious calm.",

The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else.